writings


libretti:
equal parts star and dark (text for music by Josephine Stephenson, commisioned by ListenPony) March 2016
our thoughts make spirals in their world (text for music by Josephine Stephenson, private commission) January 2016
through the bleak midwinter (text for music by Josephine Stephenson, commissioned by Karolaoke) December 2015 info
audrey (text for music by Josephine Stephenson, commissioned by National Portrait Gallery) September 2015 info
if only (text for music by Josephine Stephenson, commissioned by Bristol Proms) August 2015 info
tanka (text for music by Josephine Stephenson, commissioned by Hermes Experiment) June 2015 info
violence - silence - voice (text for music by Josephine Stephenson, commisioned by ListenPony) January 2015
On False Perspective (libretto to the opera by Josephine Stephenson, first performance 25th May 2014) WATCH



stories:
The Swimmer in the Dome (Wardrobe Ensemble Zine: The Future of Sex) August 2015
beginning to speak now (Ellen Yeon Kim's The Shelter, Mar 2015)
Billy and the Shaman (Light in the Dark: A Bridge House Anthology, November 2014) buy here
How The Old General Wept (WarConRes: An Anthology of Flash Fiction, August 2014) buy here (you can also listen to this story on The Bunker podcast)
Everything Must Go (Living in the Future, Summer 2014)
72 (Living in the Future, Spring 2014)
Think you're pretty. Think you're neat. (Smith Magazine, October 2010)
Sally Shakespeare (Tapfactory Magazine, June 2009)
Nomads (weirdyear, January 2010)

scripts & screenplays:

Ablutions (after Patrick Dewitt, co-written with FellSwoop Theatre) buy here
Jack's Robot (short film directed by Oscar Oldershaw)

journalism:

Germany's Carelessness Problem, ExBerliner Magazine, Mar 2017
Berlin's Vietnamese Dynasties, ExBerliner Magazine, Feb 2017
The Queer Crusader: Magnus Hirschfeld, ExBerliner Magazine, Jan 2017
Scene But Not Head? Sexism in Berlin's Electronic Music Scene, ExBerliner Magazine, May 2016
The French art world is on strike. Why aren't we? (openDemocracy, October 2014).
River Music: Linz [Travel Piece] (The Kensington & Chelsea Review, April 2014).

#Iceland3: people who take food from bins should be applauded, not arrested. (openDemocracy, February 2014)


Review: Steve Rasnic Tem, Onion Songs. (The Kensington and Chelsea Review, December 2013)

The Male Gaze in Cinema. (Gorilla Film Magazine, September 2013)
Review: Punchdrunk Theatre, The Drowned Man: A Hollywood Fable. (The Kensington & Chelsea Review, August 2013)
‘A Something Else That Stirs Man’: A Fourth of July Appreciation of Charles Ives. (Stockhausen Syndrome, July 2013)
Familiar Aliens: Japanese Outsider Art at the Wellcome Collection. (The Kensington & Chelsea Review, April 2013)
'Love is a healing process': Interview with Sadie Frost. (The Kensington & Chelsea Review, February 2013)
Picks of 2012: Everyman's Remains of the Day, Chômu's Dadaoism: An Anthology. (The Kensington & Chelsea Review, December 2012)
Art on the Dancefloor: The Turner Prize Afterparty. (The Kensington & Chelsea Review, December 2012)
The Power of Activism. (Positively UK Magazine, Autumn 2012)
Cascais [Travel Piece] (The Kensington & Chelsea Review, November 2012)
Madness in Art: The Turner Prize 2012. (The Kensington & Chelsea Review, November 2012)
Russian Art Week: Interview with Theodora Clarke. (The Kensington & Chelsea Review, November 2012)
Review: Will Gompertz, What Are You Looking At? 150 Years of Modern Art in the Blink of an Eye. (The Kensington & Chelsea Review, August 2012)
Review: Frank McLynn, The Road Not Taken: How Britain Narrowly Missed A Revolution. (The Kensington & Chelsea Review, June 2012)
Review: Peter Carey, The Chemistry of Tears. (The Kensington & Chelsea Review, April 2012)
Anti-Fascist Film Club: Fire in Babylon. (Searchlight Magazine, June 2011)
Tables, Legs, Chairs: Experimental Theatre Exams (The Boar, December 2009)

Stories on my old blog

Stories on this blog